iridescence RCA Score: A- Following the high-profile departure of core member Ameer Vann in late May and a surprise signing to RCA records, Brockhampton excels on crafting an exceptionally honest and revealing LP with...
In our Oct. 4, 2018 issue, we published an album review of Pinegrove’s newly released album Skylight. We sincerely apologize for any hurt or trauma it may have brought up for our readers after...
Hozier Nina Cried Power EP Columbia Records Score: A- Four years after his self- titled debut album, Hozier returns with four tracks teasing his upcoming full-length album — and its quintessential Hozier. His voice...
Yves Tumor Safe in the Hands of Love Warp Records Score: A As it stands, the influx of electronic/IDM/quasi-noise that’s trailed out into the late- 10’s is mostly forgettable and any remarkable outliers are...
Saint Paul & The Broken Bones RECORDS Score: B+ Delivering groove in deep layers, Alabama eight-piece soul group Saint Paul & The Broken Bones consistently excel on their third record, Young Sick Camellia. Across...
Notable releases you should give a listen By Kennedy Enns and Robyn Welsh, Web Editor and Publishing Editor With summer winding down, we thought it was the perfect time to look back at some this...
By: Robyn Welsh, Publishing Editor Wet’s sophomore album Still Run skillfully toys with a vagueness that leaves listeners craving emotional depth while simultaneously giving them the opportunity to project their own experiences onto the...
Whether it’s a matter of content or subgenres, A Tribe Called Red’s We Are the Halluci Nation creates consistent bombardments of visceral hybrids throughout its 50-minute runtime.
Featuring an eclectic mix of various Indigenous folk, rock and country artists, Native North America, Vol 1. is a trip back in time to some of the most important aboriginal artists from 1966 – 1985.
Montreal art-rockers Ought have had a whirlwind few years. Finding success with 2014’s More than Any Other Day (still one of the best albums to come out of the recent post-punk revival) and a mid-quality solo record from vocalist Tim Darcy, it’s sad to announce their latest doesn’t quite live up to the hype.
