Category: CD Reviews

Perhaps the most niche genre still commanding a place at the table, latter-era emo (see: emo revival) is not only alive but thriving thanks to groups like awakebutstillinbed.

Shopping is a three-piece post-punk band from London, crafting pointed political tune that are surprisingly danceable.

Making good on their promise of a trilogy by 2018, self proclaimed “best boy band since One Direction” Brockhampton’s third installment in the Saturation series delivers a loyal follow up to its predecessors.

While Rosenstock himself may the first to refute the labelling of his music as existentialist millennial-punk, there’s no other way to describe the bombastic and subtly brilliant anthems he’s penned on 2016’s WORRY. and continued on its fitting follow-up POST-.

With his fourth album War & Leisure, Miguel has solidified his status as an R&B supergiant.

The second wave resurgence of shoegaze over the last few years has unfortunately led the once-underground cult genre to the valley of the buzzwords.

The old Taylor Swift really is dead. Swift’s new album reputation is dark and twisty.

Controversial tweeter Jaden Smith has proven he’s more than a pseudo-philosopher on the Internet with his first album, SYRE.

Infused with a charming groove, Denver duo ‘Tennis’ glide across their new five track EP on We Can Die Happy.

The firestorm ignited by the brief life of emo-rap progenitor Lil Peep, dead from a suspected overdose at only 21 years of age, was bright and mildly unbelievable, managing to fuse together two genres at odds and have it sound not like utter trash.